There have been complaints about the spring 2021 collections. People kvetch in group chats and Twitter threads that digital shows are not as good as the real thing—and that the real thing is not as good as it used to be. That’s one way to look at the current situation, but there’s a thrilling upside to this fragmented season: We are experiencing something actually new. In an industry that hews so passionately to tradition, heritage, and status quo, how exciting is it to feel that after seasons of talk, we are finally on the precipice of real, tangible change? That change will hopefully take many forms beyond a democratized digi-physical fashion week, but this season of shows has been a good start.
The biggest shift in the garments that flashed across our screens is that, for the first time in a long time, these looked like clothes that are meant to be worn. The irony and irreverence of all those seasons dancing on the lip of a volcano in cake topper gowns has given way to something more thoughtful and realistic this season. There is an intimacy in the second skin knitwear seen at Rick Owens and […]